Large Urn - Gold, Black and Aventurine

£1,750.00
Sold

Dimensions H:38cms D:25cms

Clay: Earthenware

Technique: Hand thrown, sculptured

Glaze: Black, Aventurine, Gold

Sulpture / Non Functional

GALLERY COLLECTION RECOMMENDED

Created as part of the “Under The Sea” collection of work that examines the consequences of rising sea levels and how my work might physically be transformed if left on the ocean bed for many year. This hand thrown sculpted urn with is embellishment of crustacea and costal flora is finished in tones of black, aventurine, copper and gold lustre detailing.

Completed in 2019, as part of a body of work for 2020 it has a full signature on the base in addition to Richard’s trademark initials.

This is a sculptural piece of work and not functional.

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Dimensions H:38cms D:25cms

Clay: Earthenware

Technique: Hand thrown, sculptured

Glaze: Black, Aventurine, Gold

Sulpture / Non Functional

GALLERY COLLECTION RECOMMENDED

Created as part of the “Under The Sea” collection of work that examines the consequences of rising sea levels and how my work might physically be transformed if left on the ocean bed for many year. This hand thrown sculpted urn with is embellishment of crustacea and costal flora is finished in tones of black, aventurine, copper and gold lustre detailing.

Completed in 2019, as part of a body of work for 2020 it has a full signature on the base in addition to Richard’s trademark initials.

This is a sculptural piece of work and not functional.

Dimensions H:38cms D:25cms

Clay: Earthenware

Technique: Hand thrown, sculptured

Glaze: Black, Aventurine, Gold

Sulpture / Non Functional

GALLERY COLLECTION RECOMMENDED

Created as part of the “Under The Sea” collection of work that examines the consequences of rising sea levels and how my work might physically be transformed if left on the ocean bed for many year. This hand thrown sculpted urn with is embellishment of crustacea and costal flora is finished in tones of black, aventurine, copper and gold lustre detailing.

Completed in 2019, as part of a body of work for 2020 it has a full signature on the base in addition to Richard’s trademark initials.

This is a sculptural piece of work and not functional.

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